Yeah, the tiredness sets in. 
The day started innocuously enough, Andy Young sleeping in. Next thing I know Judy Panter is called to the principal's office out of our vocal techniques class to give Andy a ride to the hospital. Turns out atrial fibrillation - there are a lot of atriums on campus and Andy must have told a falsehood in one - got his heart going at 50,000 BEATS PER MINUTE ( I forget the exact number) which is much too fast for a ballad. 
Andy tells us that atrial fibrillation is much less serious than perjury so I'm taking a light tone with this. Turns out Andy is not going to die, so guys, please return his stuff to his room. 
After two amazing days of progress in chorus today felt a little slow but I was mostly expecting that. A) I was tired and wasn't bringing my A game. I would guess I wasn't the only one. B) we have gotten into what Latin scholars call ' the nitty gritty'. Latin is such an expressive language which we should illstay eachtay inay oolschay, ehay?
Nevertheless we made progress. Emoting at the best of times is tough for our chorus. Expressing passion on sore feet while singing bar two the ninety second time on much too little sleep is a hard victory, yet it was achieved by General Carlos and the 39 men of the Capital City Chorus Commando division in the afternoon of whatever day this was, 2014. (I actually can't confirm the commando designation. I had MY briefs on. ) 
The evening brought some great rhythm work by Kirk Young, whose son, Connor, I met just earlier that day. Kirk helped us find the strongest ever rhythmic performance of our up tune. The triplet timing of Love Me transfers to the ballad Cohen's Hallelujah, so two birds and all that. 
The 10 pm gospel sing was, by and large a clinic in abandoning good vocal technique, but was a very fun time. Papa's friends brought a top notch rendition of SSWT and some beautiful blue shirts to the mix, while the only other performance, Motet, sang a beautiful medley of unfamiliar hymns (Possibly from the LDS tradition.) any quartet that can sing that well while still not off tablet (smartphone, paper, whatever) needs to be taken out and stoned for contributing to covetousness. JK, I think. 
BTW, Dad's new quartet with Richard Frennette, Bill Vermue and Bruce Marchant: it's called On-Q. Tell me when you get it. Hint Richard is from Montreal.
Need to head off to General session. I skipped breakfast to write this update. Ok, Truth is I slept in. I don't want to catch this fibrillation thing.

(photo: Barad'ur at night. ) Denis Laflamme called in some favours, I think. We got two extra hours of coaching from four top guns tonight. This was after the three hours earlier in the day. The focus was sectional practices to enhance unity of sound. For us leads this meant eliminating ' scooping' on notes. It is amazing how much we do this for emotive effect. It is also amazing how much we sound like one voice when we get rid of it. We also focused on keeping the same tone throughout our range, bringing our high voice into our lowest notes to keep everything clear and light. The chorus and coaches were rewarded for the time spent by an unparalleled improvement in our sound. You should have been there. The sound! The excitement from chorus and coaches alike! 
The chorus is retaining so much of what we're being taught, and transferring what we've learned in one song to the rest of our singing. What great coaches and what a great bunch of guys on the risers. Denis is in seventh heaven (not the incomparable gospel quartet, but the emotional state) and well he should be. He has brought the chorus to this place wherein we can get such a great benefit from this opportunity. 
Rodney McGillivray, always looking out for Papa's friends, got coach Gary Steincamp to stay behind to work with our gospel VLQ. We sang our best ever 'Still, Still with Thee' using everything we'd learned in chorus and then Gary (already very positive about our sound), by identifying diction as an issue and reminding us to move this meditative hymn from inward reflection to outward presentation, was able to help us make an even more beautiful and, dare I say, holy moment in singing. One of the questions we must now ask of every song is, "Who is there?" Still, Still with Thee is overtly addressed to the presence of God. In a pietistic way it is easy to sing the song to oneself as an enjoyment of the feeling of God's presence. But rightly it is directed outwardly to 'an audience of one,' and only as such do we really share, with an earthly audience, the rapture expressed in the song. 
Back to the Cantina (after yet another rehearsal, this time (10:00 pm) with the Gold Ribbon First Timer's chorus.) 7th Heaven rehearsed there till they closed the place. I am very privileged to be supported by the rich tight vocal mesh of Rod, Bill Hawken and Andre Carriere. Also kudos to Neil Rask who sat in after Bill went to bed. Always a pleasure to hear Neil's voice. 
My voice is feeling better after all the singing of Tuesday than it did after the first evening of Harmony U. Must be doing something right. 

Confusion in the Morning about our chorus college schedule caused some dismay, but an amazing afternoon and evening of coaching was inspiring and productive. The chorus is putting out a huge effort to make sure we get as much as we can out of the specialists that are teaching us. Busy day. Sadly going into extra innings Monday night means I missed seeing the TimeJumpers at 3rd and Lindsley (which, fyi, is located at 3rd and Lindsley). Instead 7th Heaven practiced late into the night at the Cantina across the street. ( which, fyi, is located across the street) Nice place, but the 'droids weren't welcome.


Potter HallAt registration it turns out Ben, at 17, needs a 'Supervisor' so I'm it. Chorus members filter in during the day. Seventh Heaven's bari, Andre Carriere, got bumped from the AC flight and was rerouted through LGA. Good thing I flew out on standby yesterday. Only major travel mishap is a guy who could not find his passport and will be delayed until Wednesday at the earliest. 
Evening General Session: Steve Armstrong of TNL taught and directed Ride the Chariot. Fixed a few notes and then 600 men and not a few women rang the hall like a bell. They will need to do some structural reassessment of the Massey Performing Arts Centre after we've sung for a week in there. 
An African American woman who is quite an activist in building community among children through music spoke passionately about our barbershop experience, its value for each of us personally and for the communities we can impact. A few of Her Met Singers taught the crowd a four part patter that was one of the first songs I quartetted with John S WilkieSteve Bangham, and the late Paul Tamblyn. 'Won't You Play a Simple Melody' brings back some sweet memories, personally reinforcing her message about the autobiographical sound track that is imprinted on our lives by singing. 
Had Ice Cream sang some crazy tags and went to bed.


A quick Lenten commentary on the four Gospels, chapter by chapter.

New 2-3 chapters will be published each day through Lent 2020.